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Each year, more saxophonists throughout the world are discovering the advantages provided by E. Rousseau mouthpieces. The reason is simple: E. Rousseau mouthpieces work. They work because Eugene Rousseau, active throughout the world as a soloist, has transformed the demands of today's performer into precision performance tools. When you purchase an E. Rousseau mouthpiece, you are making an artistic investment. You know that your investment is sound when you consider that all E. Rousseau mouthpieces meet the following rigid standards: (1) a unique, practical design that balances the baffle, sidewalls, and facing; (2) use of the finest quality hard rubber and metal; (3) thorough and exhaustive field-testing prior to manufacturing; and (4) careful inspection of each mouthpiece prior to shipping.
| Dr. Eugene Rousseau is a highly regarded saxophone
player and educator. A professor of music at the prestigious Indiana University School of Music, Dr. Rousseau has been a featured artist in musical venues around the world. Because he knows what a professional player needs from his instrument and mouthpieces, he designed saxophone mouthpieces to meet every performance requirement. Dr. Rousseau’s mouthpieces are available from Conn-Selmer, Inc. authorized dealers around the world. To find a dealer near you, just use the dealer locator. E. Rousseau Saxophone mouthpieces... state-of-the-art designs from a world-class performer. |
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| E. Rousseau Classic Models
As featured on the
* - Baritone Saxophone mouthpieces include ligature and cap. |
E. Rousseau New Classic Models The E. Rousseau New Classic alto mouthpiece was developed to complement the highly successful ‘R’ series. It has been designed with an entirely new choice of facings to meet the demands of the world’s top performers. Features include a new chamber with a redesigned baffle and sidewalls to provide an even more centered tone; a new tip rail for a more precise fit of reed; and a longer shape for a more secure fit and easier tuning. The New Classic series includes soprano, alto and tenor models.
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Rousseau Jazz Models
E. Rousseau Jazz Models give you the power and versatility to cover the entire spectrum of jazz, pop, and rock performance. In addition to the well-established JDX series, the Studio Jazz series provides greater edge and power, consistent with a solid tonal center. Regardless of your playing requirements, E. Rousseau has a jazz model for you.
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 Jazz Metal The new E. Rousseau Jazz Metal mouthpiece combines extraordinary design features, world class technology, and affordability. Produced from the finest solid brass using the latest CNC computer-aided design technology, E. Rousseau Jazz Metal mouthpieces allow the player to achieve a powerful tone with an excellent balance of edge and warmth. Each mouthpiece is 24 carat gold-plated and includes a superior quality ligature and cap.
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How Should I Test a Saxophone Mouthpiece?
Dr. Eugene Rousseau, Indiana University
The question is a good one and deserves a straight forward answer. Five steps should be taken in testing a mouthpiece: (1) Use several reeds of slightly different strengths. Your favorite reed is probably comfortable on your current mouthpiece. (2) Be certain that the reed is placed correctly on the mouthpiece, that its tip is even with the mouthpiece tip, and that it is centered from side to side. (3) Does the reed seal? Keeping the end covered, draw the air out of it and then take the mouthpiece from your mouth.
A popping sound means that the reed is fitting properly on the mouthpiece. A warped reed will not pop because air is escaping between it and the mouthpiece. (4) Tune to 3rd line B natural on alto, tenor, or baritone saxophone (5th line F sharp on soprano) to its respective concert pitch. This note may be tuned slightly flat but never sharp. Improper mouthpiece position can cause bad intonation, poor response, and inferior tone quality. (5) Do some playing in all registers, from lyrical to rapid staccato, using various dynamic levels. Repeat the examples several times, then play them, using your own reed and mouthpiece. Now try the new mouthpiece and reed again. Many players like to record this test, which allows them to "stand back and listen." Some prefer to have one or more musician-friends listen as each mouthpiece is played. If you use these "judges," be sure that they cannot see which mouthpiece is being played. Listen with your ears, not with your eyes. Be patient. Mouthpiece testing takes time. Finally, how does the new mouthpiece feel to you? To make the right decision you must like the way it sounds and the way it feels.
Good Luck,
E. Rousseau Saxophone Mouthpiece Endorsing Artists
(in alphabetical order)
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| Denis Diblasio Director of Jazz Studies Rowan University |
Kenneth Fischer University of Georgia |
Bruce Jordan Professor of Music Sinclair Community College |
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| Dr. Eric Nestler Associate Professor of Music Doctor of Musical Arts committee chair University of North Texas |
C. Raymond Smith
Director of Jazz Studies Professor of Saxophone Brigham Young University |
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| Kenneth Tse Professor of Saxophone University of Iowa School of Music |
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View information on E. Rousseau and other woodwind mouthpieces from Conn-Selmer, Inc.
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| E. Rousseau Mouthpiece Product Brochure |
Conn-Selmer, Inc. & EZ-Tone Woodwind Mouthpieces |